Andover High School’s fall musical, “Into the Woods,” incorporates new fairytale characters into the beloved 1986 Stephen Sondheim musical, adding more roles.

The new characters Hansel, Gretel, Goldilocks, Rumpelstiltskin, the Huntsman, and Tom Thumb each shed light on views never seen before. Director of Theater Arts Susan Choquette previously directed the musical 18 years ago, and has once again decided to add new characters to challenge the cast and include more people in the production. 

While “Into the Woods” has many feature roles, there is no ensemble. Gabriel Cordio, a freshman playing Rumpelstiltskin, finds the new characters make the stage and songs sound fuller. 

“On the stage, all the fairytale characters are going to be in their costumes, so it’s cool to see there’s Rumpelstiltskin, there’s Goldilocks… It helps fill out the play.  [Because] “Into the Woods” is all the fairytales combined, adding more is going to look cooler,” said Cordio. 

Many find the addition of new characters to be beneficial to give more people a chance to participate in the show. In addition to supporting upperclassmen who plan to pursue theater beyond high school, the production also provides underclassmen, especially freshmen like Cordio, valuable opportunities––even in smaller roles.   

“It allows the Drama Guild to be more inclusive,” said Grace Armstrong, a sophomore playing Goldilocks. “I think they added the parts to show that you [could] still be in the production even if you don’t have a main role.”

The lack of ensemble in the original “Into the Woods” leaves out many possibilities––the incorporation of new characters explores these possibilities. 

“I think it creates a larger world,” Choquette said. “To expand the world, especially when the giant starts to wreak havoc… the giant impacts more characters than are in our focus. There’s a whole kingdom out there that’s being affected.” 

Armstrong echoed this opinion, pointing out that the added characters give the audiences different perspectives and reactions to the conflicts in the musical. 

Nonetheless, the addition of new characters does not come without a lack of challenges. Without direct guidance from the original script, actors must research and explore the resources given to them by Choquette in order to depict their characters the right way. 

“When you’re trying to portray a character that’s not in the actual play, you have to make sure you portray the character, but also not take away from the actual story,” said Cordio.

Some roles, on the other hand, have a different type of challenge altogether. Armstrong mentioned that as Goldilocks, she doesn’t have any lines, making it difficult to show different emotions. Some actors must rely on body language to portray their characters.

Despite these unique challenges, the fundamental work stays the same. All roles require research, whether the role is a fictional character or one that has always been part of the script, according to Choquette.

“I hope this experience has given actors in this show some practice doing that research, because the next play they do, they’re going to have to do the same thing,” said Choquette. “What they can’t find, they get to add. And that’s really the fun of being an actor.” 

Still, when choosing new characters, Choquette made sure they contributed to the original musical’s theme. They go into unfamiliar territory, which creates conflict and drives the story. 

“They go into the woods, wherever that is, in search of something…they get in trouble, and a lot of these characters share that,” said Choquette.