In a One, Two, Three!: Students in Andover High School’s Orchestra mentor Lowell Students in music

Anika Nagle
STAFF WRITER

The cascade of notes coalesces into gentle music as fingers glide over taut strings. The bow slides over a mahogany violin and a sweeping crescendo rises to accompany the cello. Lowell High School resounds with a glorious harmony as the astounding talent of our school nourishes a love of music within the students of Lowell. 

With whole hearts and minds abuzz, Andover orchestra students mentor kids in Lowell as part of Afternoon in the Arts. This program is an initiative wherein Lowell elementary and middle school students are coached in a wide array of musical disciplines—band, chorus, dance, and orchestra—free of charge in regards to both the tutelage and the cost of instruments.

With varying degrees of experience, yet with constant smiles and eagerness, students exploring string instruments gather at the Lowell High school twice a week. They are taught fundamentals, such as scales and notes, and proceed to reinforce their lessons by playing assorted pieces ranging in difficulty based on a students’ prior experience. 

However, it is more than just the Lowell students who benefit from these afternoons. Andover mentors benefit as well. Teaching is a rewarding experience, and there is no doubt a unique joy stemming from the shared laughter and smiles in a mentor-mentee relationship. 

“I sometimes see them getting this ‘aha’ moment, like, ‘Oh, I get this rhythm,’ or ‘Oh, I finally know this note,’” Vivian Tang, an Andover High School senior, said. “This is my first time teaching, so for them to get something, it’s a big accomplishment.”

“It’s nice to see them learn something, and the smile on their faces,” senior Elizabeth Shin added. “When they are happy, you are happy too.” 

Upon seeing your mentees face light up with joy, there is an indescribable pride that comes as a result. However, this is a pride earned through hard work and difficulties. “In addition to helping the Lowell students, they are also learning the art of teaching,” Dr. Derek Voigt, the orchestra director at AHS and a faculty member at Afternoon in the Arts stated. They are “realizing what’s going well, what’s not going well, and learning from that,” he continued. An Andover mentor echoed a similar sentiment, saying “You are learning along the way too sometimes, each group has its own different needs, and you have to make sure you accommodate to each of those needs…that could be one-on-one or maybe getting everyone together [in] sectionals[groups characterized by specific instruments].” 

Afternoon in the Arts is an environment which forges cherished relationships through both dedicated guidance as well as treasured memories. “During Halloween, the first day that we had come, we were giving candy to the kids… that was really fun… we got to bond together,” Elizabeth Shin said, smiling. 

However, more than celebrations and holidays are the day-to-day interactions at Afternoon in the Arts that create fond recollections for students of both schools. Madeline Shin, another Andover student, said, “I just love talking to them, they are very sweet and they have a lot of stories to tell, and it’s just nice to talk to them one on one.” 

These students are gearing up towards an upcoming concert and excitement builds up as new pieces are introduced. First-year and second-year students will be playing different songs, with the former focusing on holiday songs to reflect the Christmas season. As of now, their pieces aren’t set in stone, yet we can expect some holiday classics. “When they first played Jingle Bells, and were told ‘Okay, you are doing that at the concert,’ they were like ‘Oh no!’” Voigt joked, “[but] then they played it through all the way.”  As for the second year students, they are challenging themselves with more complex pieces for the concert, such as “M” [sic] and “Russian Music Box”. “M” is a fast paced song for which students will have to master their scales and notes to create the intricate music. However, the challenge is its own reward, and utmost dedication can be seen on both ends — from both the Andover students and their mentees.

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Pink Floyd’s Atom Heart Mother Poor On Release, Rich in the Present
  • April 3, 2026

Michael A. Catino || CORRESPONDENT

You might look at this album and think there is nothing special about it. What’s so innovative about a cow’s photograph plastered on a cover? But once you look past this spotted bovine, you’ll be enthralled and entertained by its genius mix of sound and music. The name of this unique album is Atom Heart Mother by the Floyd that is Pink, simply known as “Pink Floyd.” 

Two songs come to mind that truly represent the nature of the progressive rock band’s predecessor to the “dark side of the mooooon.” Let’s begin with the relaxed and free spirited “Summer ‘68.” When you first lend your ears to this particular song, there is a moment reminiscent of a movie character running and frolicking through a field: free from the burdens of life. Starting off with its slow piano, strumming of the guitar, and the simple question “How do you feel?”. 

Now let’s listen to the second and more outlandish song, “Alan’s Psychedelic Breakfast.” This 12-minute instrumental puts you in a state of mind akin to waking up in your home or a grand hotel enjoying a well-prepared meal. Emphasis given by its long piano solos and use of real-life sounds of people talking and sizzling bacon. I celebrate this album for the achievements it’s made in taking Pink Floyd into new fields away from their usual bass, drums, and electric guitars, as well as creating touching, realistic lyrics ubiquitous in the band’s future work. 

But like all great things, there are some moments that can feel a little lackluster. Like the album’s opening song of the same name, Atom Heart Mother. It seems to drag on with a random assortment of sounds that make you wish the song to end. Sounds in this instrumental include trumpets, synthesized keyboards, a choir, and warped organ pipes. It also doesn’t work in its favor that the track is over 23 minutes long, and maybe if it were cut down to half its run time, it would align better with its neighboring melodies.

All in all, what I have mentioned to you is only half of what gives Atom Heart Mother its majestic tone. The other half is up to your interpretation.

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Award-Winning Author Visited March 2 
  • April 3, 2026

Arshiaa Prem || STAFF WRITER

Filipino-American author Randy Ribay visited Andover High School on March 2 to speak with students. Ribay is known for his award-winning novels Patron Saints of Nothing (2019) and Everything We Never Had (2024). 

Ribay, who is best known for writing about the Filipino diaspora and the complexities of identity, family, and belonging, met primarily with sophomore students. The event included a student-led panel discussion, audience Q&A, and a book signing. The visit was funded through a three-year, $150,000 grant from the Cummings Foundation, which supports bringing diverse, award-winning authors to schools across Andover. 

“We’re going for the best,” said Mary Coombs, librarian at AHS. “This is our third author on this cycle, and they’ve all been award-winning, best-selling authors. They’re contemporary—they’re writing for young adults right now—and they address a lot of interesting themes.”

Previous visiting authors included Angeline Boulley, a Native American author whose books reflect the Ojibwe heritage and background, and Gene Luen Yang, whose books reflect Chinese-American themes. 

“I don’t think anything comes close to transporting you into somebody else’s perspective the way a story can,” Ribay told the students gathered in the Collins Center for his address. “Here is somebody speaking, telling you a story, and you are inside their head, or close to their head. You’re experiencing their thoughts, experiencing their emotions.”

He added that books offer a unique opportunity to build empathy and connection. “Reading stories helps us understand ourselves better, to feel validated,” Ribay explained. “But it also opens us up to see things from other people’s perspectives. Sometimes reading about other people helps us understand how we are all connected.”

Ribay also shared insights into his own journey to becoming a writer. “Most authors start off by saying they’ve always wanted to be an author. That was not the case for me,” he said.  “I loved stories. I read a lot of books, a lot of comics, watched a lot of TV and movies, played a lot of video games. But I never really thought this was a job people actually have.”

After graduating from the University of Colorado Boulder with a degree in English, Ribay went on to teach middle and high school English before eventually pursuing writing full-time. “The reason I studied English was simple,” he said. “I really liked books. I really liked stories. Here was an opportunity to spend all my time reading and studying stories—that’s what I wanted to do.”

Ribay’s most recent novel, Everything We Never Had, spans four generations of Filipino American boys as they navigate identity. The novel won the 2025 Asian/Pacific American Award for Young Adult Literature.

His novel Patron Saints of Nothing follows Jay Reguero, a Filipino American teenager who travels to the Philippines to investigate the death of his cousin during the country’s war on drugs. The book explores grief, guilt, and cultural identity and was a finalist for the 2019 National Book Award for Young People’s Literature, as well as a recipient of the 2019 Freeman Award from the National Consortium for Teaching About Asia.

Sophomore Hannah Mottley said interacting with the author adds “a new dimension to the reading experience.”

“I think it’s really interesting to see the author in real life because it shows us that these themes and these problems that he writes about are things he actually deals with in real life,” Mottley said. “When something is written down on paper it seems almost unattached, but when you see the person that wrote the writing it creates that emotion of attachment.”

Coombs provided a similar viewpoint, saying she hopes students gain perspective from hearing directly from the author. 

“We don’t all live the same life,” she expressed. “It’s great to see what other people encounter, what their families like and the obstacles they overcome. In a way it’s you seeing something different, but there’s also a lot that people have in common.” 
Ribay’s novel Patron Saints of Nothing was read by select sophomores, and this grade made up the primary audience for the event. A student steering committee prepared for the visit by writing introductions and developing questions for the panel discussion. The three students who participated as panelists were Isabella Valente, Jueun Kim, and Elena Stamm.

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