Theater Guild Presents You’re a Good Man, Charlie Brown on Time Crunch
  • May 18, 2025

AREETA FAIZ || STAFF WRITER

The cast and crew of Andover High School’s You’re a Good Man, Charlie Brown grappled with a tight deadline typical of a musical in the spring. This year, they performed their yearly show on May 8th, 9th, and 10th. 

You’re a Good Man, Charlie Brown is a musical based on the popular comic strip Peanuts, featuring familiar characters and a relatively small cast. Auditions ended up being held at the end of March, leaving about a month for the group to finalize their set, blocking, lines, and choreography. 

According to the show’s director Susan Choquette, there are several reasons for this turnaround. 

“When we participate in the Drama Festival, we never know how far in the process we’re going to get, [which] delays the start of the spring show,” she said, adding, “The Collins Center gets very, very busy in the spring, since a lot of dance studios do their recitals here.” 

Other seasonal events include AP testing and junior prom. “It is a challenging time to put a show together, no matter what you choose,” Choquette said.

The last time the Theater Guild performed a spring musical was 2021, slightly off schedule due to the pandemic. “We do a musical in the spring every four years, and other times we usually just do a regular play,” said Nina Bond, a longtime theater participant and sophomore playing Sally Brown.

“A regular [musical in the fall] takes about three months to rehearse and put together,” said sophomore Grace Armstrong, who took a break from her typical athletics to pursue the role of Lucy Van Pelt. As a principal character, Armstrong and others are required to stay at school for up to four hours nearly every day of the week. “I had to be off-book very, very quickly,” she said.

“I’ve been going over my lines, every day, every night, and making sure I’m prepared for every rehearsal,” Bond said prior to the show’s debut.

“There’s a lot of material, but we’ve been good about it,” said Gall Shapira, a sophomore who played Marcy in the ensemble. Shapira brought up another challenge regarding their roles: “We’re playing children, so we’ve been told that they move differently. Their facial expressions, their mannerisms are different, and we have to sort of embody that.”

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Show Choir in VA over April Break
  • May 15, 2025

Clara Strong || STAFF WRITER

Andover High School’s three show choirs traveled to Williamsburg, Virginia for three days during April Break, to perform and compete, winning first, second, and third place in the show choir category.

On April 24, 44 students and 6 chaperones involved in the AHS show choir program flew to Virginia. They competed on the 25th and attended a workshop with a choral professor before going to Busch Gardens Amusement Park and touring a reenactment of Colonial Williamsburg.

“The competition was not only for choirs, but also for bands, orchestras, jazz bands, jazz choirs,” said Dr. Lauren Peithmann, the show choir director. “In the category of show choir, we won first, second, and third place, which is pretty awesome. We’re happy with that.”

The show choir group Back to Bassics performs their show Weird Science in Williamsburg, Virginia.

“It was cool seeing all of the other choirs, and we got rated really highly.” said Rielyn Leahy, a freshman in Nothing But Treble (NBT), the show choir for high (treble) voices. The other two show choirs are Back to Bassics (BTB) for low (bass) voices, and From Start to Finish (FSTF), a mixed choir for all voices.

Of all show choirs, FSTF placed first, NBT placed second, and BTB placed third. They also placed second, fourth, and sixth, respectively, out of all 27 choirs at the festival. “Also, Grace Lilley (a senior in FSTF) got Best Vocalist of the entire competition, which is a huge accomplishment,” explained Anna Bacchi, a senior in NBT and FSTF.

“We also… did a clinic with a professor at the College of William and Mary. The choral professor there, Dr. Jamie Bartlett, worked with all three of our choirs, which was awesome.” Peithmann said. “It was really lovely to see another person work with the choir directly, give them feedback, and help them to sound even better and do even better in performing.”

While this was their last competition, the show choirs still have two more performances this year. “We have our home show on May 19, which is the last time that we’ll perform our competition sets,” Bacchi explained. “We also have the Alumni Cabaret on June 4, where all the alumni (including the seniors who will have just graduated) are welcomed back to do solos, duos, and small group numbers.”

Show choir auditions for next year will happen on the week of May 19. Email Dr. Peithmann at lauren.peithmann@andoverma.us for more information.

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They Not Like Us: AHS Students Weigh In On Drake Lawsuit
  • May 6, 2025

Anushka Dole || Online Editor

Prominent rapper Drake’s clash with Kendrick Lamar and subsequent legal actions, most recently filing a lawsuit against his and Kendrick’s shared record label Universal Music Group (UMG), has prompted discussion in the AHS community.

The feud between rappers Drake and Kendrick began long before the most recent legal escalation. Since 2013, a series of jabs through rap lyrics and songs has grown into a full-fledged rivalry, as evidenced by the series of diss tracks released by both artists in 2024. After Lamar’s “Not Like Us” won five Grammy awards this year, Drake filed suit against UMG for defamation. On March 17, 2025, UMG responded by filing a motion to dismiss the case, denigrating it as “nothing but an attempt to save face” after Drake “lost the rap battle.”

AHS students have a varying range of opinions about the increasingly hostile sequence of events and the lore that accompanies them. The “beef” has opened up a wide range of discussion, from disputes over who won the battle, to corruption in the music industry, to the fundamental nature of the hip hop diss track.

Junior Noor Bhatti completely opposed the idea that Drake lost the battle, arguing, “Kendrick won the battle, but Drake won the war.”

The most streamed rapper every single month of 2024, excluding November, was Drake. If that doesn’t tell you anything, I don’t know what will,” Bhatti said. “Nobody cared about Kendrick [since 2015], until he got involved with Drake. Drake made Kendrick.”

Senior Shriya Bala, who primarily listens to R&B, disagreed. “Kendrick’s…song[s] aren’t only about hating on Drake. [He sings] a lot about racism and…there are many other meanings in his songs,” Bala said. 

Senior Felicia Yin, who doesn’t follow rap but agreed to listen to a snippet of Drake’s latest work, agreed with Bala in that Drake’s songs and various diss tracks published against Kendrick were “really weird…not something [she] would ever listen to unless…[she] had to on the radio.”

The battle also raised questions in the AHS community about the corruption present in the industry, and how this might affect teenage listeners.

Bala said she believes that Drake, to some extent, deserved the humiliation due to his immaturity and poor online conduct.

“There’s artists that only make music but in current days…artists [have] become influencers as well,” Bala said. “So now it’s part of [their] job to keep up [their] good name. It matters what you say to the public, and how you act.”

Junior Vignesha Jayakumar’s opinion was somewhere in the middle. Jayakumar, who primarily listens to J.Cole, who was part of the beef, yet backed out because he felt “conflicted” on the matter. Jayakumar asserted that Drake had a legal basis for his actions, yet there is little to be gained from such an endeavor.

“Kendrick’s basically creating songs without proof that [Drake] is a pedophile…because of that sensationalism, it became very famous. So I think he does have some standing there. But I’m not sure how much…  or whether he [can] really prove anything,” said Jayakumar.

Drake’s original lawsuit, which was against Spotify and UMG, was aimed at both companies for “artificially boosting” streams of “Not Like Us.” Bhatti had strong opinions on this, and believes it speaks to the corruption of the industry.

“If you play a Drake song and just put your playlist on shuffle and the playlist ends, then the automatic next song is always “Not Like Us”…and Spotify has added millions of fake streams onto Kendrick’s account,” Bhatti suggested. The effects of said alleged corruption have created a kind of cancel culture surrounding Drake.

“I think a lot of rappers will think a little bit more before trying to mess with Kendrick…they made it look like Drake’s lawsuit of the company was him being a sore loser, even if he had legal standing,” Jayakumar said.

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AHS Students Perform at Carnegie Hall
  • March 17, 2025

Janaesa Macasaet || STAFF WRITER

Junior Ana Murray and sophomore Armand Omelko performed at Carnegie Hall on February 15. Murray performed Czardas by Vittorio Monti on violin, while Omelko performed Chopin’s Prelude in E Minor on piano.  

Both musicians have played their respective instruments from a young age, with Murray on the violin and Omelko playing the piano. The two were encouraged by their outside-of-school music teachers to join the Crescendo International Competition and aim for the prestigious venue. For Murray, this performance was her third at Carnegie and fourth competition overall. Omelko, on the other hand, made his debut at Carnegie. 

“My violin teacher…first got me into competitions when I was in eighth grade. At the time, I didn’t think I’d get anything. [I got] first place, and since then she’s just been motivating me and helping me get to the point where I am now,” said Murray. She has competed in Little Mozart Music Competitions as well as the Crescendo International Competition since then.

This year, she began working on her piece in the spring of 2024, practicing throughout the summer and fall, and submitted the recording in December. For all Carnegie Hall auditions, a board of musicians decides who goes forward in the process. The first and second place in the region from these auditions perform. 

“In terms of playing,…it’s going to be difficult because I have to keep improving…There’s never really a point where I can stop improving,” Murray said. “So it definitely becomes a mental struggle, whether or not it’s good enough. [Keeping up with] all my other extracurriculars…on top of this, while also trying to improve in a really short amount of time, is difficult.”

Omelko’s journey to Carnegie Hall began similarly, with his piano teacher introducing him to the opportunity. After winning first place in the Crescendo International Competition, he earned his spot on stage—this was his most significant performance to date. 

Both students partake in numerous musical activities at AHS. Omelko plays brass baritone for Marching Band, baritone saxophone for Jazz Band, and cello for Orchestra. Murray has been a show choir member for the past three years, along with taking Chamber Choir, Orchestra, and a Music Production class. 

Band director Jeffrey Kuchan noted Omelko’s drive for music, saying, “I have not taught Armand any piano whatsoever, so it’s very clear that he exudes a desire to make music, a passion, and whenever he picks up a new instrument, he takes that energy and that creativity and applies it.”

Omelko believes music has benefitted him not just as a performer but also as a person. “It gave me a passion… It teaches me discipline, you know—practice, commitment, and overall it also helped me get into certain communities especially ensembles like Orchestra, Band, those are communities I value,” said Omelko. 

Many AHS students participate in musical activities outside of school, which AHS teachers agree enhances their skills as performers and musicians. 

“The more different experiences you collect, it shapes you as a musician…you have that nuance to kind of adapt and hear things differently,” said Kuchan. “Everything is an experiment in life, so you can glean or pull from those experiences, you can learn about music, you can learn about yourself…. So I think that it’s valuable to seek out those opportunities.”

Show Choir Director Dr. Lauren Peithmann echoed this idea. “I think students who love music here in our program, many of them also do activities outside of school, whether it’s private lessons or community theater or singing in a choir outside of a building, and I think anyone who’s really interested in pursuing music for a career should look at as many opportunities as they can.” 

While Omelko and Murray plan to continue pursuing musical endeavors in the future, their career aspirations stray from the realm of music. Murray aims to pursue nursing while Omelko plans to work in international relations. Still, they stay dedicated to their love for music.

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A Bittersweet Song: AHS Music Students Conclude The Long College Audition Season
  • May 6, 2024

By Julia Rodenberger
STAFF WRITER

With ten minutes left in H-block, a symphony of chatter and songs reverberates through the Collins Center foyer. Here, students enjoy an interlude from their core academic classes to explore their creative passions. For a select group of upperclassmen, this constant alternation of academics and creative pursuits has been the core of a months-long college application process. 

Senior Abinaya Ganesh spent H-5 on February 28 in the choral room to prepare for an upcoming vocal performance in Providence, Rhode Island. Ganesh, who hopes to major in Classical Voice, is no stranger to traveling out of state for vocal performances. Since applying to colleges in November of 2023, Ganesh has auditioned in person at eleven music conservatoires and universities. 

In summary, “It’s been pretty difficult,” said Ganesh.

Both universities and music conservatories required Ganesh to submit vocal performance tapes—referred to as “pre-screens”—through an online portal in early December, rendering the Common App application the first of many steps. By mid-January, applicants receive notice if they are still in contention for admission. 

“A lot of people are cut from the pre-screen to the audition,” Ganesh noted. To lighten the pressure, Ganesh prepared a repertoire of six songs to be reused throughout the process and across programs; she practiced these songs up to three times a week in November and December. 

Seeking advice outside of AHS has helped Ganesh to navigate auditions that few people have experience with, especially when stratified down into niche topics such as classical music. “For the audition process, my voice teacher has been so helpful to me because she also majored in vocal performance and music education,” Ganesh said. “She knows how it is.”

Senior Alex You recently finished an audition season parallel to that of Ganesh intending to major in classical saxophone to become a music instructor. To accommodate his interdisciplinary interests in computer science, You focused his applications toward music departments within traditional universities rather than music conservatories. Nonetheless, the four universities he applied to required him to develop a repertoire of various études, arpeggios, and scales that he performs at auditions in front of faculty panels. 

You believed that the support AHS provides for prospective music students is adequate given their small numbers. He noted, “My counselor helped me somewhat because she has been here a lot longer than I have, so she has seen some students apply to music.” Parallel to Ganesh’s experiences, You found value in private, one-on-one lessons.  “Actually having a private lesson instructor is so honestly vital if you want to become a musician as a hobby or as a major.”

While practice occasionally came in the way of academics, You believes “you can strike a balance.” He only missed three days of school for college auditions.

In reference to the music department faculty, Ganesh explained, “Dr. Peithman, Mr. Kuchan, and Dr. Voigt—they’re all so helpful with answering any questions you could ask about the process. But beyond that, it’s a little difficult. When I ask guidance counselors or even non-musical teachers, none of them have ever experienced it.” Musical auditions count as excused absences, as with any college visit. In such situations, Ganesh stressed the importance of communicating with teachers to ensure she did not fall behind in class. 

Since joining AHS midway last year, Lauren Peithmann now teaches Music Production, Beginners’ Piano, and Guitar, and directs two of AHS’ three choral groups. Peithman notes that the “handful” of students participating in the college audition season may need to take a backseat in after-school rehearsals for show choir, taking notes rather than actively participating to allow for vocal rest.

“I would say that participation in all of our music classes is definitely a bonus for those looking to major in music,” said Peithmann. “We teach foundational skills, we reinforce those skills.” Indeed, both Ganesh and You have been involved in ensembles like From Start to Finish to the Jazz Quartet, respectively. For You, it was his involvement in the band programs that spurred his interest in music education.

 Even so, Peithmann reiterated, “Auditioning for music school is a really intense process… and it’s really an individual process.” She, too, recommends that students seek out private tutors outside of school who can fully invest in their personal growth. In a group setting, musical teachers do not always have the resources to individually guide each student towards their ideal career path. 

Ganesh added, “I would say really just the earlier you can start the better.”

Peithman advises prospective music majors to “make sure that they’re taking care of themselves because it’s long, but it’s really rewarding and you’ll learn a lot.”

“I have known that I wanted to do it since around the beginning of junior year and it still sometimes confuses me. And confuses my voice teacher. Even on like keeping track of all the dates and what you have to submit. And especially because teachers here may not know, I would say just do as much of your own outside research as you physically can,” said Ganesh.

Ganesh reiterated, “This process is very draining…but it is very rewarding.”

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AHS Welcomes New Choral Director
  • March 20, 2023

By Pippa Konow
STAFF WRITER

Lauren Peithmann, the new music and choral instructor at Andover High School, started working at AHS towards the end of the second semester, filling the hole in the music department left by the previous choral instructor. As a new teacher at AHS, she is excited to bring a new passion to the music department for her students. 

What was your school life like? 

“I always wanted to be a music teacher. My parents are both music educators so it seemed like a natural fit for me! After high school, I attended Ithaca College and majored in music education.”

What was your first job?

“My first job was teaching middle school chorus and music classes in Byfield, Massachusetts… I was working directly with middle schoolers but I also assisted with the high school musical [after school]. My office was in the same room as the high school chorus teacher and high school theater teacher, which was great. Both teachers were very helpful and we also had a lot of laughs. I also was able to help out with the high school musical and I enjoyed that experience too.”

What drew you to teaching students in music education?

“I love music and I love making music with students! I find great joy in rehearsing a piece with a chorus and then watching them perform it on stage. High school students have so much energy and enthusiasm for what they do. It’s inspiring!”

What is your favorite part of teaching music to students?

“Teaching singing is tough because everyone’s voice is different. You also can’t touch or see a person’s vocal cords. It can be a challenge to troubleshoot and help everyone work on their own individual voice. I like the challenge though. It’s so exciting to hear a student’s voice change and grow over time.”

What brought you to AHS?

“Prior to working here, I was an arts administrator and I was working mostly behind the scenes to help things run smoothly. While I loved seeing the progress of the students and supporting staff members, I missed conducting, teaching, and making music on a regular basis with students. So when I saw this position open up, I applied!”

What would you like to accomplish as a music teacher?

“I would like to leave a legacy of students who remember their time in chorus fondly, who perhaps are patrons of the arts in their own communities, and who still make music either professionally or just for fun. I like to think that the influence of a good teacher ripples out into the world. I hope that my students keep making and enjoying music their whole lives.”

Do you have a favorite musical composition piece?

“I really love piano music. Rachmaninoff’s Piano Concerto #2 is one of my favorite pieces of music.”

What is your favorite free time activity?

“I like to hang out with my daughters and support them in their activities. They like to swim, dance, sing, and act. We’re pretty busy!”

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AHS Musicians Prepare for Junior Festival
  • March 20, 2023

By Jacqueline Zhu
COPY EDITOR

Andover High School students participating in the Massachusetts Music Educators’ Association (MMEA) Northeastern District Junior Festival will perform on March 18, 2023 at Galvin Middle School in Wakefield, MA.

Auditions for Junior Festival took place on January 28, 2023 at Tenney Grammar School in Methuen, MA. According to Sean Walsh, the fine arts program coordinator at Andover Public Schools, students must be in grades six through nine and participate in a school ensemble, such as band, orchestra, or chorus, to be eligible to audition. Music directors must be active members of the National Association for Music Education (NAfME) to register students for Junior Festival.

STAFF PHOTO / Jacqueline Zhu
Nitsan Cohen-Yashar, freshman, plays flute during band rehearsal.

The audition entailed performing two scales and an excerpt of a preselected piece in front of an adjudicator.

“Students get the music in advance, and they work on it independently,” explained Walsh. “They’ll usually have around three to four weeks to prepare the music.”

Auditions are evaluated on certain criteria, which include intonation, tone quality, technique, and musicianship. Students who meet the qualifying score for their instrument, which varies from year to year, proceed to perform at Junior Festival.

“This year, we have 18 students districtwide who were admitted into Junior Festival,” stated Walsh. Five AHS freshmen are among those accepted. 

Megan Huang, a violinist, reflected on her experience auditioning for Junior Festival. “When we got there, we basically had a few minutes to practice before our auditions,” she said. “The auditions were short, but they were really nerve-wracking.”

Huang stated that because of her anxiety, she did worse than expected. “I still got in, but I’m not as excited as I should be,” she said.

Violinist Meredith Cummings echoed a similar sentiment. “[The adjudicators] didn’t give us live feedback, but they wrote notes,” she stated. “It was really stressful, because they were just completely silent during the audition. You could hear the clicking of their keyboards as they were typing down their notes.”

In contrast, flutist Nitsan Cohen-Yashar felt more enthusiastic about his audition. “I already knew most of the scales,” he said. “I also practiced the piece beforehand, and it just needed some minor tweaking.”

Regarding the benefits gained from participating in Junior Districts, Walsh explained that it familiarizes students with the audition process. This aspect is particularly important for those interested in pursuing music as a career.

“If you’re able to play with high-level musicians and work with a master instructor, I think that experience is invaluable,” said Walsh.

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In a One, Two, Three!: Students in Andover High School’s Orchestra mentor Lowell Students in music
  • January 13, 2023

Anika Nagle
STAFF WRITER

The cascade of notes coalesces into gentle music as fingers glide over taut strings. The bow slides over a mahogany violin and a sweeping crescendo rises to accompany the cello. Lowell High School resounds with a glorious harmony as the astounding talent of our school nourishes a love of music within the students of Lowell. 

With whole hearts and minds abuzz, Andover orchestra students mentor kids in Lowell as part of Afternoon in the Arts. This program is an initiative wherein Lowell elementary and middle school students are coached in a wide array of musical disciplines—band, chorus, dance, and orchestra—free of charge in regards to both the tutelage and the cost of instruments.

With varying degrees of experience, yet with constant smiles and eagerness, students exploring string instruments gather at the Lowell High school twice a week. They are taught fundamentals, such as scales and notes, and proceed to reinforce their lessons by playing assorted pieces ranging in difficulty based on a students’ prior experience. 

However, it is more than just the Lowell students who benefit from these afternoons. Andover mentors benefit as well. Teaching is a rewarding experience, and there is no doubt a unique joy stemming from the shared laughter and smiles in a mentor-mentee relationship. 

“I sometimes see them getting this ‘aha’ moment, like, ‘Oh, I get this rhythm,’ or ‘Oh, I finally know this note,’” Vivian Tang, an Andover High School senior, said. “This is my first time teaching, so for them to get something, it’s a big accomplishment.”

“It’s nice to see them learn something, and the smile on their faces,” senior Elizabeth Shin added. “When they are happy, you are happy too.” 

Upon seeing your mentees face light up with joy, there is an indescribable pride that comes as a result. However, this is a pride earned through hard work and difficulties. “In addition to helping the Lowell students, they are also learning the art of teaching,” Dr. Derek Voigt, the orchestra director at AHS and a faculty member at Afternoon in the Arts stated. They are “realizing what’s going well, what’s not going well, and learning from that,” he continued. An Andover mentor echoed a similar sentiment, saying “You are learning along the way too sometimes, each group has its own different needs, and you have to make sure you accommodate to each of those needs…that could be one-on-one or maybe getting everyone together [in] sectionals[groups characterized by specific instruments].” 

Afternoon in the Arts is an environment which forges cherished relationships through both dedicated guidance as well as treasured memories. “During Halloween, the first day that we had come, we were giving candy to the kids… that was really fun… we got to bond together,” Elizabeth Shin said, smiling. 

However, more than celebrations and holidays are the day-to-day interactions at Afternoon in the Arts that create fond recollections for students of both schools. Madeline Shin, another Andover student, said, “I just love talking to them, they are very sweet and they have a lot of stories to tell, and it’s just nice to talk to them one on one.” 

These students are gearing up towards an upcoming concert and excitement builds up as new pieces are introduced. First-year and second-year students will be playing different songs, with the former focusing on holiday songs to reflect the Christmas season. As of now, their pieces aren’t set in stone, yet we can expect some holiday classics. “When they first played Jingle Bells, and were told ‘Okay, you are doing that at the concert,’ they were like ‘Oh no!’” Voigt joked, “[but] then they played it through all the way.”  As for the second year students, they are challenging themselves with more complex pieces for the concert, such as “M” [sic] and “Russian Music Box”. “M” is a fast paced song for which students will have to master their scales and notes to create the intricate music. However, the challenge is its own reward, and utmost dedication can be seen on both ends — from both the Andover students and their mentees.

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AHS Student Composes Original Piece for Orchestra
  • May 17, 2022

Angela Mac
STAFF WRITER

Jacqueline Zhu, an Andover High School junior, composed and will conduct a piece titled “Waltz in D Minor.” It will be performed by the AHS orchestra on May 18 in the Collins Center.

Zhu, a cellist, wrote the waltz as an assignment for a private lesson outside of AHS. She said, “The overarching theme of the piece is the nostalgia of something you have never experienced before.” 

Along with writing “Waltz in D Minor,” Zhu will conduct the piece. Zhu was brand new to conducting. In January, she was introduced to it by Dr. Derek Voigt, the orchestra director. As she took lessons with Voigt, she became more coordinated with the movements. Of being the one conducting instead of playing, Zhu said, “It feels exhilarating, kind of terrifying, but I’m also stoked.”

COURTESY PHOTO / Jacqueline Zhu
Jacqueline Zhu, a junior, playing the cello

Composing music for an orchestra is a first for Zhu. Also the ANDOVERVIEW copy editor, she has written pieces for other instruments in the past. When asked if composing music was difficult, she responded, “It was hard to form ideas, it’s kinda like having writer’s block.” Other challenges Zhu faced were creating the piece she envisioned and composing multiple parts for different instruments. 

“Waltz in D Minor” is a modern waltz. Voigt said the “harmonies are rich, the rhythms are clear, and the parts are very approachable by any orchestra.” What makes the piece unique is its use of hemiolas, or three against two poly-rhythms. A hemiola is a rhythmic pattern in which three beats are superimposed over two beats. With hemiolas, there is the effect of a shift between triple and duple time, even though the time signature is not altered. “Waltz in D Minor” also includes interesting cadences and chords. Voigt describes Zhu’s piece as not quite somber, but it is rather dark in the beginning. When it changes keys, it gives the song an entirely different effect. 

Camille Miner, an AHS senior and the concertmaster of the orchestra, finds “Waltz in D Minor” riveting. “I enjoy how it has a lot of light romantic themes however in a more modern sense,” Miner complimented. “It also reminds me a lot of Joe Hisaishi’s work” (Hisaishi is famous for his beloved collaborations with Studio Ghibli animation director Hayao Miyazaki). She also revealed that Zhu’s piece has a lot of 8va sections. 8va is an abbreviation of “at the octave”, and when written in music it indicates that the notes should be played one octave higher than written in the score. 

Though Zhu has proved to be quite proficient in many aspects of music, she plans to pursue a major in botany or plant science in college. However, she may pursue music, such as composition, as a minor. 

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Swift Drops Two Albums: Folklore and Evermore
  • March 26, 2021

By Camille Storch

ASSOCIATE EDITOR

A musical icon for our generation, Taylor Swift has certainly made a long-lasting impression whether you are a fan or not. From her first country album, Taylor Swift, to currently releasing two back-to-back studio albums, Folklore, Evermore, and everything in between, Swift has been a prominent figure in music for almost 15 years.

Last July, Swift released Folklore and the surprise shook the world. A quick piece of advice if you are not a “Swiftie,” Swift normally goes dormant on all social media about a month before releasing some sort of announcement. Per usual, Swift’s last instagram post before the big announcement was mid-June, more than a month prior, yet no one seemed to notice, distracted by the chaos of Miss Rona herself. The album was released 11 months after Swift’s previous album Lover, an upbeat, pop album with hidden romance messages to her real-life lover, British actor Joe Alwyn. 

PROMOTIONAL PHOTO/ Disney Plus
Taylor Swift in the process of recording Folklore, captured in Folklore: The Long Pond Studio Sessions. This was a documentary concert film released on Disney Plus that delved into how Taylor Swift’s album Folklore was created and contained performances of each of the songs it contained.

So, what is Folklore and why is it such a big deal in Swift’s music career? I’ll tell you why. The  album is composed of 16 original tracks, all composed by Swift, longtime collaborator Jack Antinoff, Aaron Dessner, and William Bowery (pen name for Alwyn), and all written through “phase one” of quarantine. When I first saw the album cover, I had no clue what genre of music was going to be included. With a black and white color scheme, Swift is pictured alone in a forest, surrounded by trees, giving off an aura of mystery and suspense. 

Now, you may be wondering, what about that other album? 

Last November, Swift released another surprise for fans called “Folklore: The Long Pond Studio Sessions” on Disney Plus. This included Swift, Antinoff, and Dessner in a recording studio tucked away in upstate New York, playing through the whole album, acoustically, but most importantly, together, as they recorded the entire album in separate studios due to COVID.

So, fans were shocked when the announcement came that ANOTHER album was being released that night at midnight! How much Taylor content can we handle? I needed a couple months to recover and digest Folklore, another album??

Evermore is the sister album to folklore and follows a similar pattern, with 15 original songs, all exploring different genres, no two songs the same. In Swift’s announcement on social media, her reasoning was “we just couldn’t stop writing songs. To try and put it more poetically, it feels like we were standing on the edge of the folklorian woods and had a choice: to turn and go back or to travel further into the forest of this music.” Similar to Folklore, Evermore follows the same pattern where Swift is not only creating songs based on her own experience but off those of her friends, family, and fictional characters from movies and books. 

Out of a survey of 77 people, some AHS students included, 57 percent of the votes (44 people) chose that Folklore was their favorite album over Evermore, while 43 percent of the votes (33 people) chose Evermore over Folklore. It is interesting that it was almost a tie between the two albums which leads one to infer that these “sister” albums are truly “related” in the sense that they are of a similar genre, similar perspective, and finally, equally appreciated by Swift’s audience. 

Top Five Responses For Favorite Taylor Swift Songs

#1: All Too Well

#2: Betty

#3: Love Story

#4: Champagne Problems

#5: You Belong With Me

Folklore

The songs in this album span from cheery and uplifting, to evoking a slow tear to nonchalantly stream it’s way down your face.

Here are my top three:

  • “August”: This romantic tune brings us back to the simple joys of summertime along with all of the spontaneous secrets and excursions we partake in during the summer months. Throughout Folklore, Swift depicts a love triangle that appears in at least three of her songs, more if you look for hidden Easter eggs. “August” is told through  the perspective of “the other girl” and allows the listener to see through the lens of the girl who knew she was disrupting a relationship, yet developed true feelings for her lover. She has developed a sense of hope that maybe he will leave his girlfriend for her, with lyrics such as, “Remember when I pulled up and said ‘Get in the car’ and then canceled my plans just in case you’d call? Back when I was livin’ for the hope of it all, for the hope of it all, ‘Meet me behind the mall.’” She’s reaffirming this longing to be chosen over the right and moral choice.
  • “Exile”: In this heart-wrenching song is a duet with the gravelly, soulful voice of Bon Iver (Justin Vernon), two ex’s look back on their past relationship. The palpable bittersweet and complicated feelings hang in the air. The male voice refers to the woman as “his town,” while she refers to him as “her crown,” both stating they feel they’ve been put “in exile” from these places since their relationship has ended. There are also conflicting messages on how it all ended with Vernon’s character saying that “You never gave a warning sign,” while Swift sings that “I gave so many signs..you didn’t even see the signs.” It’s left up to the listener to decide who’s eyes they best see the perspective of the relationship through.
  • “My Tears Ricochet”: Starting off slowly with a chorus of voices, you are serenaded by a church choir, and then Swift’s voice joins in, a subtle tone, sadness and disappointment seeping through her lyrics. This particular song was written about Swift’s experience with Scott Borchetta and Scooter Braun, owners of her previous record label who decided to hold rights to five of Swift’s eight albums, technically becoming the owners of her music. The lyrics, “You wear the same jewels that I gave you, As you bury me,” further reinforce the anger behind these two wealthy, arrogant men taking credit for all of Swift’s hard work and success. 

My runner ups:

  • “The Last Great American Dynasty”: Swift gives insight into the lavish lifestyle of the previous owner of her Rhode Island mansion, Rebecca Harkness, who named the home, Holiday House. Fun Fact: Holiday House is right on the water in Watch Hill, RI, and can be ogled at if you choose to go visit.
  • “The 1”: The opening track is fun and bouncy, with Swift taking a positive outlook on life, despite acknowledging she and her past love could have been soulmates.
Evermore (left) VS. Folklore (right)

Evermore

I would say that Evermore takes on more of a serious, hurt tone, but there are still some hidden gems with funny Easter egg meanings.

Here are my top three:

  • “Champagne Problems”: This song has been applied to many different celebrity couples and even more so, to tv show characters who people believed were meant to be together in the long run. “Champagne Problems” is a sad ballad pointing out the reality of the right person, wrong time. The most resounding application of this song has been to the novel and now movie, Little Women. The lyrics, “One for the money, two for the show, I never was ready, so I watch you go, Sometimes you just don’t know the answer, ‘Til someone’s on their knees and asks you,” perfectly fit in the puzzle with the friendship, could-have-been marriage, between Jo and Laurie, where Jo wasn’t ready to settle down when Laurie wanted, and then when she was Laurie had already moved on. These “champagne problems” that Swift refers to are the hidden fears of committing and being real with yourself and those you surround yourself with. 
  • “Gold rush”: This upbeat jingle addresses Swift’s desire to express her feelings to someone who everyone loves and everyone is attracted to. The metaphor of a “gold rush” is used in the context that there are so many people who want this desired person that she would just be another face in the crowd, lost in the frenzy. The meaning of the song doesn’t quite take precedence though over the actual music. The song begins in another choir-like voice, the words “gleaming” and “twinkling” stretched out, before the beat drops and it slips into a quick pattern. When Swift begins questioning herself, the song shifts into an angelic background, before returning to the quick beat as she day-dreams about this majestic person.  
  • “No Body, No Crime”: This is yet another song I will add to my “Swift’s Vehicle Manslaughter” folder. Previous Swift songs that live in this folder include “Getaway Car”, “I Know Places”, “Style, “Out of the Woods”, “I Did Something Bad”, and more. This song follows the story of Swift’s friend, Este, who confides in Taylor that she is suspicious her husband is cheating on her. Este can’t prove it, but she has a strong feeling. When Este goes missing, Swift begins to take notice of the husband’s every move, from his new truck, his new mistress, and more, since Este is dead. Swift believes that the husband killed Este, but she “just can’t prove it.” In the end, Swift sings, “Good thing my daddy made me get a boating license when I was fifteen, And I’ve cleaned enough houses to know how to cover up a scene,” allowing the listener to infer that Swift murdered the husband. Good story line, good tune, horrible tragedy. 

My runner ups:

  • “Coney Island”: Swift reflects on past relationships, and if you are a true Swifite, you can dissect the lyrics to know which ex she is talking about. Hint, at least three are mentioned. 
  • ”Tis the Damn Season”: A reunion between high school lovers, a bit of aggression from Swift, really solid musical composition.

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