First AP Art Class Added to ’22-’23 Curriculum

Avi Shapira

ONLINE EDITOR

Andover High School will add Advanced Placement (AP) 2D Design to the curriculum in the 2022-2023 school year.

Taking an AP class could look good on a transcript, and students who do well on the AP test may get college credit for it. AHS offers AP classes in a variety of subjects, but there are currently no AP classes in the fine arts department. 

“[The school has been] sending the message that the arts are not as valued at the school as STEM is,” said senior Giulia Panzica, who plans to study art in college. 

Since there were no art APs offered, some students, including Panzica, had to study for the art AP tests on their own and take them outside of school. Having AP classes on their transcripts can help students get into art school, and are required by many international schools for American applicants.

COURTESY PHOTO / Giulia Panzica
“The Pinecone and the Tree” created by Giulia Panzica

“Some of us need this on our transcripts and it’s ridiculous that it’s not more of a problem,” said Panzica.

Panzica, who applied to international schools, took AP Art History through Virtual High School (VHS) and is now taking AP Drawing. AP Art History is a test-based course like most AP classes, and AP Drawing requires students to submit a portfolio of their work as their test.

“It sucks. It was the worst,” Panzica said, describing her experience taking AP Art History on VHS. “I feel like I would have learned so much more in a classroom with a teacher who was explaining things, but it was just me researching on Khan Academy.”

Most students take Portfolio I senior year, but some take Portfolio I junior year and Portfolio II senior year. The curriculum is a two-year cycle, so every other year students are taught different content. 

Currently AHS upperclassmen who are interested in studying art in college can take Portfolio I or Portfolio II. Portfolio I and II meet in the same class and are taught by the same teacher. In Portfolio, students create a portfolio of their artwork to apply to art school with. 

AP 2D Design will replace Portfolio II as an upper-level art class for seniors to take. “Those upper level, second year Portfolio students have a chance to get college credit,” said Sean Walsh, director of the fine arts department. “[They] also get to specialize, work with some of the AP skills.”

AP 2D Design involves writing and research related to the students’ artwork, which would be more prominent in the curriculum of AP Design than in the Portfolio II curriculum. AP Design will also have specific guidelines for submissions, which could influence student work. 

COURTESY PHOTO / Giulia Panzica
“Vaso Siciliano” created by Giulia Panzica

Walsh hopes that after AP Design is introduced, the class will grow. According to Walsh, around five students are expected to take it next year. He also hopes adding an AP class will eventually separate Portfolio I and II and set apart the second year Portfolio students.

“We recognize that [students have] developed already what’s going to get [them into college], now [they can] develop something that’s going to provide [them] some credits there,” said Walsh, explaining the purpose of AP Design. 

Despite AP Design being a different class than Portfolio II, students will still be able to get help from an experienced teacher on their art school application. “[Portfolio] gives you insight into the college application processes, which is a lot of what we go over and is very hard to navigate even with Portfolio,” said senior Jillian Boyer. 

While most students are excited for an AP art class to be offered, an alumni feels differently. Kai Lonie, who graduated from AHS in 2021 and is now attending MassArt, does not think AP 2D Design is a necessary addition to the curriculum. 

COURTESY PHOTO / Jillian Boyer
“Self Portrait” created by Jillian Boyer

Lonie explained there are large differences between high school and college art classes. “[AP art classes] don’t prepare you for college at all, considering all of my studio classes are five hours long and only meet once a week,” they said. 

Lonie described studio classes as “made to give you uninhibited time to work on art,” which high school can’t provide. Each studio class also focuses on a different topic, from drawing to the concept of time in art. They “take the semester to teach and expand on that idea.” This is very different from high school and not an experience any high school class can prepare students for, according to Lonie. 

Overall, people are looking forward to the new addition to the curriculum. 

“Having an AP art class at this school is important because it opens up more opportunities for higher learning in art,” said Boyer.

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A Numbness We Can’t Afford
  • May 7, 2026

ANYA GOROVITS || OPINIONS EDITOR

In the 365 days of 2025, the U.S. saw 407 mass shootings.These shootings were part of a broader gun violence crisis that caused tens of thousands of deaths across the country, including 226 children and 1,038 teens killed in mass shootings alone, according to the Gun Violence Archive’s official 2025 report.

Most Americans are aware of this stark reality: they’ve watched these numbers rise each year for decades. They watch countless shootings shown hurriedly on the news before returning to their daily lives. In school, students briefly discuss the latest tragedy in their history class before returning to the standard curriculum. Legislators put out quick statements before quickly moving on.

“[Mass shootings] have become a symbol of American culture and American freedom,” said sophomore Ari Friedman. Indeed, they’ve become almost synonymous with America’s identity, present in our history since the 1966 University of Texas Tower Shooting. On the World Population Review’s mass shooting map, most countries report 0–10 mass shootings from 2000–2022. The U.S. reports 109.

A pivotal moment for modern school shooting conversation was the Columbine shooting of 1999, during which two students killed 12 classmates and a teacher. The event fundamentally reshaped how schools, law enforcement, and the public regarded gun violence.

“When Columbine occurred, that was a time that really changed the national consciousness,” said AHS Principal Jimmy D’Andrea. Then came Sandy Hook in 2012, a shooting at a Connecticut elementary school that killed 20 first graders and 6 staff members. Rather than a turning point toward action, this shooting marked a new stage: acceptance. News of recent shootings no longer came as a surprise, and such stories quickly stopped making headlines.

Today, school-age students all around America have become used to yearly ALICE drills. 

“The fact we even have to do these drills is dystopian, but I’ve usually just gone with it. It’s a fact of life,” said sophomore Ari Friedman.

School shootings should never be a fact of life.

“You can’t allow it to numb you, because that’s how things that aren’t normal become normal,” said junior Grace Arnold. Yet that is exactly what has happened. This country has watched children be killed in their classrooms, again and again, and decided that the right to own a gun matters more than the right of a child to survive the school day.

Though communities advocate for “policy not prayers” after each major shooting, nothing ever seems to reach Congress. Around 90 percent of Americans support universal background checks, yet they haven’t been passed, killed by political opposition funded by gun industry lobbying. 

“Profits matter more than people in America,” said AHS history teacher Fred Hopkins. He described how the Second Amendment’s true purpose has become severely distorted. Originally written to enable collective militia defense in a newfound country with limited defense capabilities, the amendment is now interpreted as the right of every American to own murderous weapons. 

Beyond gun legislation, school shootings are driven by a crisis in mental health and an American culture that seems to value silence over support.

Today, America’s emphasis on individualism has created an outlet for violence. AHS junior Tyler Bates expressed that this individualism discourages struggling students from asking for help, leading to their desire for violent expression.

“If people are still angry, this anger and aggressiveness will come out one way or another,” said AHS French teacher Olga Kostousova, who believes that gun restriction laws are very necessary, but they work only if we also address the deeper cause of violence.

Ending this crisis requires both stronger gun legislation and a cultural reckoning around mental health. It requires universal background checks, and real investment in mental health resources at the community level. It requires a culture that stops making shooters famous and starts recognizing people in crisis before it’s too late.

Most of all, it requires refusing to be numb. Many people today feel that there is not much that can be done on a legislative level to achieve peace for American children. They feel that just taking this horror as “a fact of life” is better and simpler than fighting for change. They believe that ordinary people have no voice and no ability to change this cynical symbol of America. Yet it is this belief that limits our ability to stand up for the lives of American children.

“I absolutely have hope that change is possible. But people kind of have to wake up and choose to be affected by it,” said Arnold.

In 2018, survivors of the shooting at Marjory Stoneman Douglas High School in Parkland, Florida, organized a national walkout that drew hundreds of thousands of participants. The pressure was enough to push Florida to pass its first significant gun restriction legislation in decades. So ordinary people, students especially, do have power. When enough people speak up, change does occur. But when we remain numb, we refuse change, and we let our schools remain war zones.

Four hundred seven mass shootings in one year. Two hundred twenty seven dead children. 

These are not statistics to scroll past. They are a demand, one that has gone unanswered because too many people have decided to stop asking for change. America, and Americans, have the power to choose differently. The true question is whether we will, before another classroom becomes a tragedy we forget by next week.

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Bubble, Bubble, Toil, Trouble: Failures of Scantron tests
  • May 7, 2026

ADVIKA SINGH ll STAFF WRITER

Are Scantrons a lifesaver or mistake? At Andover High School, the jury is still out. Many favor the quick results, while others say a few filled-in circles doesn’t show what a student really knows. As we keep bubbling in answers, one big question remains: Are we choosing easy grading over critical thinking?

Let’s be realistic: teachers are human. They need sleep and aren’t trying to decipher every student’s chicken-scratch handwriting. For those managing classes the size of a small village, Scantrons aren’t just a tool but a life raft.

“When you have large classes taking large, multiple choice tests, Scantrons can help speed up the grading,” forensics teacher Cole Hauser noted. He suggested the efficiency of the exam benefited both students and teachers: “There’s a quick turnaround on feedback for the assessment. Students are able to see how they did almost right away which can be helpful, especially for students who feel a lot of post-test anxiety.”

In contrast, English teacher Jennifer Percival chooses to skip the bubbles entirely, believing English should focus more on skill development. “I suppose if I gave Scantron tests, feedback would be faster, but I also think … it would be difficult for me to ‘see’ a student’s thinking,” said Percival. “Unless part of the assessment required students to defend their answers, I wouldn’t be able to see the thought process.” 

Furthermore, I believe using Scantrons for subjects such as English and math is unreasonable. English relies on subjectivity and the ability to defend an opinion, none of which is captured by filling in a bubble. Similarly, in math, the process of solving problems is often more important than the answer. When we use Scantrons, we shift focus from critical thinking to luck and accuracy. Education should be focused on our ability to demonstrate intellectual growth and the ‘why’ behind answers, and not centered on a score spit out from a machine.

The subject a teacher instructs often determines the practicality of Scantrons. While many educators appreciate the efficiency they bring to subjects requiring memorization, like science or social studies, freshman Maria Barsegov believes some classes are a better fit for the technology than others. “It’s okay to use Scantrons for social studies because there isn’t solving or thinking, but that it’s unfair to use for math or English,” she observed. In her view, subjects that involve showing work should allow students to demonstrate their abilities.

The student body at AHS is just as split as teachers. While teachers focus on “feedback” and “efficiency” students are more concerned about how the format affects their actual grades. The biggest complaint among students is the lack of partial credit. On a Scantron, you are either 100 percent right or 100 percent wrong.

As a student, I’m familiar with Scantron exams, and to put it bluntly, I detest them. While I empathize with teachers who are tempted by prospects of a lighter workload, these benefits are outweighed by academic costs for students. For struggling students, partial credit is often the line between a C and a D+ or a C+ and a B, and losing that opportunity greatly alters your overall grade.

Junior Adelelaide Buzay found Scantrons stressful. “Scantron tests are efficient but don’t allow room for mistakes. I find them confusing,” she stated. This sentiment is common among students who believe Scantrons to be unfair. An anonymous freshman shared a story about a teacher reliant on Scantron exams: “I have a teacher who gives no partial credit and only does multiple choice and … her tests only have a few questions which makes it harder.” When a test only has ten to twenty questions, each bubble carries a massive weight. Without room for partial credit, students are left distressed.

Despite concerns of fairness and partial credit, the siren song of Scantrons still calls to many. For some, the stress of waiting weeks for a teacher to grade something is more dreadful than the grade itself. Freshman Bhavika Sharma stated, “ I like Scantron exams because the results return quickly.” In a high-pressure environment, this nearly-instant feedback allows students to see their mistakes without the anxiety of a long wait.

It’s ironic for students to be told to think outside the box, when only being rewarded for filling it in. It’s better if a teacher is reading your work because the machine can only see lead marks on a paper, and not the person holding the pencil. A Scantron can’t see the logic, effort, or the ‘almosts’ defining how people actually learn. We’ve built a culture that values convenience over students’ abilities. By handing grades over to a machine, we aren’t just losing partial credit but the most important part of education: growth.

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