Shaping up to be Famous: Ceramics Students’ Work could be Published in Action Research

By Minati Thota
STAFF WRITER

“I feel like even if you aren’t an art person, Ceramics class could be a really fun part of [your day],” claimed Emily Ross, the instructor of the class in question. She believes that students could unexpectedly enjoy ceramics just as she did as a teenager. 

Ross began her journey with ceramics in a high school class, but couldn’t incorporate her passion for ceramics into a career as smoothly as she could fix a crack in clay. She was met with many roadblocks. Being accepted into a top ceramics school did not prove as magical as she thought. She describes the city as one having “more cows than people,” which left her searching for a new school and a creative avenue that fit her best.

When she finally found her love for teaching ceramics and finished her undergraduate degree, she was ready to move into the workforce. Getting back into teaching ceramics led her to pursue a master’s degree in Art Education. 

An exciting path for art students and curious learners in general, Ceramics and 3D design has become a popular course at AHS. Students get to work with clay and create functional, artistic designs as they learn essential skills of construction, carving, smoothing, and more along the way. Taught by a student herself, this class is made authentic by the shared perspective Ross offers to her students. Student and teacher, to her, are “two sides of the same coin.” Her experience in a studio as a student helps create the perfect environment for her own students at work. She has now incorporated the work of her two worlds into a project many students are curious about.

Ross is pursuing her master’s degree at the University of Massachusetts at Dartmouth, and her coursework involves reflective practices around her teaching work at AHS. “The course I’m taking is called Action Research,” says Ross, “and the class is really an extension of everything that we do as effective educators.” Collecting and recording her students’ diverse ideas, creative processes, and studio work isn’t a new process, but this time Ross plans to showcase this work and data in her class of art educators at UMass.  Everything from the first idea to drafts to impulsive changes in plans is documented. “[It is] a great way to study the effectiveness of my teaching on our students because it leaves so much room for interpretation and exploration,” Ross said. 

This project, of course, required consent from both students and families, which led to some “very official-looking” contracts being sent home to parents and guardians. “Because I’m doing it [for] an outside source… they need to have that official process,” said Ross, smiling about the students struggling with the contract’s heavy language. 

Ross says she didn’t want anyone to worry or feel pressured by it, but student response has been quite positive. People have chosen to offer their work as a part of the research, where their names will be held confidential. Some have also consented to allow photographs of their work to be included, which Ross truly appreciates. Her data includes statements from the students and in-progress reflections, which are interesting reads even for other students. Ross loves the way students take creative risks and incorporate their various other interests into their work; biology, activism, music, pets, and all kinds of ideas have been crafted in clay in her studio.

The student’s work will be unaffected by the research. So students with and without their work being showcased have been working on their clay as usual.  It doesn’t change much in the Ceramics studio: only a few moments when the instructor is quietly walking around trying to capture hands working on shaping and sculpting clay. Sparking conversations about identity-driven stories, Ross loves hearing about the students’ varied academic and creative passions coming together in their sculptures. 

Ross encourages students to engage with the arts. “We can be so focused on honing in for, like, a career path these days.” Even for students who aren’t ‘art kids’, or think they aren’t like Ross did, “It feels like a place of rest. And also of self-discovery, and comfort.”

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A Numbness We Can’t Afford
  • May 7, 2026

ANYA GOROVITS || OPINIONS EDITOR

In the 365 days of 2025, the U.S. saw 407 mass shootings.These shootings were part of a broader gun violence crisis that caused tens of thousands of deaths across the country, including 226 children and 1,038 teens killed in mass shootings alone, according to the Gun Violence Archive’s official 2025 report.

Most Americans are aware of this stark reality: they’ve watched these numbers rise each year for decades. They watch countless shootings shown hurriedly on the news before returning to their daily lives. In school, students briefly discuss the latest tragedy in their history class before returning to the standard curriculum. Legislators put out quick statements before quickly moving on.

“[Mass shootings] have become a symbol of American culture and American freedom,” said sophomore Ari Friedman. Indeed, they’ve become almost synonymous with America’s identity, present in our history since the 1966 University of Texas Tower Shooting. On the World Population Review’s mass shooting map, most countries report 0–10 mass shootings from 2000–2022. The U.S. reports 109.

A pivotal moment for modern school shooting conversation was the Columbine shooting of 1999, during which two students killed 12 classmates and a teacher. The event fundamentally reshaped how schools, law enforcement, and the public regarded gun violence.

“When Columbine occurred, that was a time that really changed the national consciousness,” said AHS Principal Jimmy D’Andrea. Then came Sandy Hook in 2012, a shooting at a Connecticut elementary school that killed 20 first graders and 6 staff members. Rather than a turning point toward action, this shooting marked a new stage: acceptance. News of recent shootings no longer came as a surprise, and such stories quickly stopped making headlines.

Today, school-age students all around America have become used to yearly ALICE drills. 

“The fact we even have to do these drills is dystopian, but I’ve usually just gone with it. It’s a fact of life,” said sophomore Ari Friedman.

School shootings should never be a fact of life.

“You can’t allow it to numb you, because that’s how things that aren’t normal become normal,” said junior Grace Arnold. Yet that is exactly what has happened. This country has watched children be killed in their classrooms, again and again, and decided that the right to own a gun matters more than the right of a child to survive the school day.

Though communities advocate for “policy not prayers” after each major shooting, nothing ever seems to reach Congress. Around 90 percent of Americans support universal background checks, yet they haven’t been passed, killed by political opposition funded by gun industry lobbying. 

“Profits matter more than people in America,” said AHS history teacher Fred Hopkins. He described how the Second Amendment’s true purpose has become severely distorted. Originally written to enable collective militia defense in a newfound country with limited defense capabilities, the amendment is now interpreted as the right of every American to own murderous weapons. 

Beyond gun legislation, school shootings are driven by a crisis in mental health and an American culture that seems to value silence over support.

Today, America’s emphasis on individualism has created an outlet for violence. AHS junior Tyler Bates expressed that this individualism discourages struggling students from asking for help, leading to their desire for violent expression.

“If people are still angry, this anger and aggressiveness will come out one way or another,” said AHS French teacher Olga Kostousova, who believes that gun restriction laws are very necessary, but they work only if we also address the deeper cause of violence.

Ending this crisis requires both stronger gun legislation and a cultural reckoning around mental health. It requires universal background checks, and real investment in mental health resources at the community level. It requires a culture that stops making shooters famous and starts recognizing people in crisis before it’s too late.

Most of all, it requires refusing to be numb. Many people today feel that there is not much that can be done on a legislative level to achieve peace for American children. They feel that just taking this horror as “a fact of life” is better and simpler than fighting for change. They believe that ordinary people have no voice and no ability to change this cynical symbol of America. Yet it is this belief that limits our ability to stand up for the lives of American children.

“I absolutely have hope that change is possible. But people kind of have to wake up and choose to be affected by it,” said Arnold.

In 2018, survivors of the shooting at Marjory Stoneman Douglas High School in Parkland, Florida, organized a national walkout that drew hundreds of thousands of participants. The pressure was enough to push Florida to pass its first significant gun restriction legislation in decades. So ordinary people, students especially, do have power. When enough people speak up, change does occur. But when we remain numb, we refuse change, and we let our schools remain war zones.

Four hundred seven mass shootings in one year. Two hundred twenty seven dead children. 

These are not statistics to scroll past. They are a demand, one that has gone unanswered because too many people have decided to stop asking for change. America, and Americans, have the power to choose differently. The true question is whether we will, before another classroom becomes a tragedy we forget by next week.

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Bubble, Bubble, Toil, Trouble: Failures of Scantron tests
  • May 7, 2026

ADVIKA SINGH ll STAFF WRITER

Are Scantrons a lifesaver or mistake? At Andover High School, the jury is still out. Many favor the quick results, while others say a few filled-in circles doesn’t show what a student really knows. As we keep bubbling in answers, one big question remains: Are we choosing easy grading over critical thinking?

Let’s be realistic: teachers are human. They need sleep and aren’t trying to decipher every student’s chicken-scratch handwriting. For those managing classes the size of a small village, Scantrons aren’t just a tool but a life raft.

“When you have large classes taking large, multiple choice tests, Scantrons can help speed up the grading,” forensics teacher Cole Hauser noted. He suggested the efficiency of the exam benefited both students and teachers: “There’s a quick turnaround on feedback for the assessment. Students are able to see how they did almost right away which can be helpful, especially for students who feel a lot of post-test anxiety.”

In contrast, English teacher Jennifer Percival chooses to skip the bubbles entirely, believing English should focus more on skill development. “I suppose if I gave Scantron tests, feedback would be faster, but I also think … it would be difficult for me to ‘see’ a student’s thinking,” said Percival. “Unless part of the assessment required students to defend their answers, I wouldn’t be able to see the thought process.” 

Furthermore, I believe using Scantrons for subjects such as English and math is unreasonable. English relies on subjectivity and the ability to defend an opinion, none of which is captured by filling in a bubble. Similarly, in math, the process of solving problems is often more important than the answer. When we use Scantrons, we shift focus from critical thinking to luck and accuracy. Education should be focused on our ability to demonstrate intellectual growth and the ‘why’ behind answers, and not centered on a score spit out from a machine.

The subject a teacher instructs often determines the practicality of Scantrons. While many educators appreciate the efficiency they bring to subjects requiring memorization, like science or social studies, freshman Maria Barsegov believes some classes are a better fit for the technology than others. “It’s okay to use Scantrons for social studies because there isn’t solving or thinking, but that it’s unfair to use for math or English,” she observed. In her view, subjects that involve showing work should allow students to demonstrate their abilities.

The student body at AHS is just as split as teachers. While teachers focus on “feedback” and “efficiency” students are more concerned about how the format affects their actual grades. The biggest complaint among students is the lack of partial credit. On a Scantron, you are either 100 percent right or 100 percent wrong.

As a student, I’m familiar with Scantron exams, and to put it bluntly, I detest them. While I empathize with teachers who are tempted by prospects of a lighter workload, these benefits are outweighed by academic costs for students. For struggling students, partial credit is often the line between a C and a D+ or a C+ and a B, and losing that opportunity greatly alters your overall grade.

Junior Adelelaide Buzay found Scantrons stressful. “Scantron tests are efficient but don’t allow room for mistakes. I find them confusing,” she stated. This sentiment is common among students who believe Scantrons to be unfair. An anonymous freshman shared a story about a teacher reliant on Scantron exams: “I have a teacher who gives no partial credit and only does multiple choice and … her tests only have a few questions which makes it harder.” When a test only has ten to twenty questions, each bubble carries a massive weight. Without room for partial credit, students are left distressed.

Despite concerns of fairness and partial credit, the siren song of Scantrons still calls to many. For some, the stress of waiting weeks for a teacher to grade something is more dreadful than the grade itself. Freshman Bhavika Sharma stated, “ I like Scantron exams because the results return quickly.” In a high-pressure environment, this nearly-instant feedback allows students to see their mistakes without the anxiety of a long wait.

It’s ironic for students to be told to think outside the box, when only being rewarded for filling it in. It’s better if a teacher is reading your work because the machine can only see lead marks on a paper, and not the person holding the pencil. A Scantron can’t see the logic, effort, or the ‘almosts’ defining how people actually learn. We’ve built a culture that values convenience over students’ abilities. By handing grades over to a machine, we aren’t just losing partial credit but the most important part of education: growth.

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