By Minati Thota
STAFF WRITER
“I feel like even if you aren’t an art person, Ceramics class could be a really fun part of [your day],” claimed Emily Ross, the instructor of the class in question. She believes that students could unexpectedly enjoy ceramics just as she did as a teenager.
Ross began her journey with ceramics in a high school class, but couldn’t incorporate her passion for ceramics into a career as smoothly as she could fix a crack in clay. She was met with many roadblocks. Being accepted into a top ceramics school did not prove as magical as she thought. She describes the city as one having “more cows than people,” which left her searching for a new school and a creative avenue that fit her best.
When she finally found her love for teaching ceramics and finished her undergraduate degree, she was ready to move into the workforce. Getting back into teaching ceramics led her to pursue a master’s degree in Art Education.
An exciting path for art students and curious learners in general, Ceramics and 3D design has become a popular course at AHS. Students get to work with clay and create functional, artistic designs as they learn essential skills of construction, carving, smoothing, and more along the way. Taught by a student herself, this class is made authentic by the shared perspective Ross offers to her students. Student and teacher, to her, are “two sides of the same coin.” Her experience in a studio as a student helps create the perfect environment for her own students at work. She has now incorporated the work of her two worlds into a project many students are curious about.
Ross is pursuing her master’s degree at the University of Massachusetts at Dartmouth, and her coursework involves reflective practices around her teaching work at AHS. “The course I’m taking is called Action Research,” says Ross, “and the class is really an extension of everything that we do as effective educators.” Collecting and recording her students’ diverse ideas, creative processes, and studio work isn’t a new process, but this time Ross plans to showcase this work and data in her class of art educators at UMass. Everything from the first idea to drafts to impulsive changes in plans is documented. “[It is] a great way to study the effectiveness of my teaching on our students because it leaves so much room for interpretation and exploration,” Ross said.
This project, of course, required consent from both students and families, which led to some “very official-looking” contracts being sent home to parents and guardians. “Because I’m doing it [for] an outside source… they need to have that official process,” said Ross, smiling about the students struggling with the contract’s heavy language.
Ross says she didn’t want anyone to worry or feel pressured by it, but student response has been quite positive. People have chosen to offer their work as a part of the research, where their names will be held confidential. Some have also consented to allow photographs of their work to be included, which Ross truly appreciates. Her data includes statements from the students and in-progress reflections, which are interesting reads even for other students. Ross loves the way students take creative risks and incorporate their various other interests into their work; biology, activism, music, pets, and all kinds of ideas have been crafted in clay in her studio.
The student’s work will be unaffected by the research. So students with and without their work being showcased have been working on their clay as usual. It doesn’t change much in the Ceramics studio: only a few moments when the instructor is quietly walking around trying to capture hands working on shaping and sculpting clay. Sparking conversations about identity-driven stories, Ross loves hearing about the students’ varied academic and creative passions coming together in their sculptures.
Ross encourages students to engage with the arts. “We can be so focused on honing in for, like, a career path these days.” Even for students who aren’t ‘art kids’, or think they aren’t like Ross did, “It feels like a place of rest. And also of self-discovery, and comfort.”



